Marcel Khalifa - Walking Tallمارسيل خليفة - منتصب القامة أمشيMuntasib al-Qamati Amshi

The words are from a poem by Samih al-Qasim سميح القاسم, an Arab Druze poet residing in Israel.

I have one comment on the phrase على كتفي نعشي / "I carry my corpse on my shoulders". This is a metaphor referring to the fact that one is proudly facing and embracing potential or imminent death or martyrdom for a cause.



Marcel Khalife - Walking Tall

I'm walking tall
I'm walking with my head held high

I carry an olive branch in my hand
And my corpse on my shoulders
As I walk and walk

My heart is a red moon
My heart is a garden
Full of boxthorn and basil (I don't know if the berries that grow on boxthorn in Palestine are considered poisonous, but I think the connotation here is that he has both sweet and bitter feelings in his heart)
My lips are a sky that rains fire sometimes and sometimes love

There's an olive branch in my hand
And my corpse is on my shoulders
As I walk and walk

مارسيل خليفة - منتصب القامة أمشي

منتصبَ القامةِ أمشي
مرفوع الهامة أمشي

في كفي قصفة زيتونٍ
وعلى كتفي نعشي
وأنا أمشي وأنا أمشي....

قلبي قمرٌ أحمر
قلبي بستان
فيه فيه العوسج
فيه الريحان
شفتاي سماءٌ تمطر
نارًا حينًا حبًا أحيان....

في كفي قصفة زيتونٍ
وعلى كتفي نعشي
وأنا أمشي وأنا أمشي

Mayada el-Hennawi - Never Againميادة الحناوي - توبةToba

Mayada el-Hennawi is a Syrian singer born in Aleppo, but in this song she is singing in the Egyptian dialect.

"Toba توبة" is an exclamation that expresses regret and the lack of desire to repeat an action used to swear off an undesirable behavior so as to say "I'll never do it again" or "I swear it's the last time." Of course, Mayada begins the song by saying "never again, never again," only to explain that she doesn't believe in "never again." A song with the same title and similar theme was popularized earlier by Abdel Halim Hafez.



Mayada al-Hennawy - Never Again

Never again, never again, never again, never again
So many people have said "I'll never love again," only to go back and write love poems and songs once more
I want to be in love this once
My life and my destiny are awaiting me

I want to sing for joy for once
I want to be happy tomorrow
At least I'll have lived
No matter how much I regret or feel sorrow

So what am I afraid of?
What am I afraid of?
I can hear my heart calling him
Why am I afraid of falling in love when it's my destiny (literally "written on my forehead")
I'll be with him, fall in love, adore him, and feel for him

Who has ever encountered love without drowning in it?
Who has ever been burned by love, swore it off and never came back to it? (meaning they always come back)
Who? Who?

ميادة الحناوي - توبة

وتوبه ...توبه توبه .... توبه توبه ...
ياما قالوا من الحب توبه
و رجعوا تانى قالوا فيه شعر و أغانى
بس اعيش الحب نوبه يا زماني و قسمتى مستنيانى

نفسى أغنى للفرح مرة
نفسى يجى هنايه بكره
اسمي عشت مهما ندمت ولا حزنت
اسمى عشت اسمي عشت

طيب خايفة ليه ؟
انا خايفة ليه ؟
سامعه قلبى يناديه
خايفه ليه من الهوى و الجبين مكتوب عليه
انى اقابله و ادوب فى حبه و اعشقه و احس بيه

وهو مين صادفه الهوى فى دنيته ما غرقش فيه
و لا مين جرحه الهوى و حلف يتوب ما رجعش ليه
مين ؟ مين ؟

Najat al-Saghira - I Love the Seaنجاة الصغيرة - انا بعشق البحرAna Bashak el Bahr

A love song performed by Egyptian singer Nagat al-Saghira (born 1936), who was very popular in the 1960's.



Najat al-Saghira - I Love the Sea

I love the sea, tender as you are
And at times, like you, crazy
Migrating, traveling.
At times, like you, confused
At times, like you, angry
At times full of silence.
I love the sea.

I love the sky
Because, like you, it's forgiving
Sown with stars and joy
A lover and a stranger.
And because, like you, it's distant
And sometimes, like you, near,
with eyes that sing.
I love the sky.

I love the road
Because on it is our meeting,
Our joy and our sorrow,
Our friends and our youth,
And on it our tears laughed
And our candles wept,
And a friend was lost.
I love the road.

I love the sea,
And I love the sky
And I love the road
Because they are life
And you, my love,
You are life itself.

نجاة الصغيرة - انا بعشق البحر

انا بعشق البحر انا بعشق البحر
زيك يا حبيبتى حنون
وسعات زيك مجنون
ومهاجر ومسافر
وسعات زيك حيران
وسعات زيك زعلان
وسعات مليان بالصمت
انا بعشق البحر

انا بعشق السما
علشان زيك مسامحة
مزروعة نجوم وفرحة
وحبيبة وغريبة
وعشان زيك بعيدة
وسعات زيك قريبة
بعيون متنغمة
انا بعشق السما

انا بعشق الطريق
لانة فية لقانة
وفرحنا وشقانا
واصحابنا وشبابنا
وفية ضحكت دمعنا
وفية بكيت شمعنا
وضاع فية الصديق
انا بعشق الطريق

انا بعشق البحر
وبعشق السما
وبعشق الطريق
لانهم حياة
وانتى يا حبيبتى
انتى كل الحياة

Fairuz - Come Back, Oh 1001 Nightsفيروز - ارجعي يا ألف ليلةIrja`i Ya Alfa Layla

In celebration of our first 1000 facebook likes, here's a song about 'alf layla' by Fairuz. It's from a musical about the 1001 Nights.

Notes: The 1001 Nights are called ألف ليلة وليلة in arabic (alf layla wa layla) or "alf layla" for short.




Fairouz - Come Back, Oh 1001 Nights

Come back, oh 1001 (literally 1000) nights, as a cloud of perfume
And may love water those thirsty for it with the dew of the dawn

My long-lasting desires have shortened my life
And your stories will be forever beautiful throughout the ages

فيروز - إرجعي يا ألف ليلة

إرجعي يا ألف ليلة غيمة العطر
فالهوى يروي غليله من ندى الفجر
إن أشواقي الطويلة أقصرت عمري
و حكاياكي خميلة في مدى الدهر

Saria al-Sawas - Get Up and Let's Dance, Girlسارية السواس - قومي لندبك ولدةGoomi lanidbich welda

This is a folk song popular in Eastern Syria and other parts of the Arab world. The title varies: Gumi lanidbich/tanidbich welda " قومي لندبك \ تندبك ولدة " and it means "get up so we can dance (together) girl." It is a clear representative of the "debke دبكة" genre, which is a popular form of folk dance in the Mashriq. Simply put, it's a line dance where you hold hands and dance in a circle. For a more detailed explanation, see here. To see some debke in action, click here.

There are many versions of this song that can be found on this internet. I will present the Saria al-Sawas (سارية السواس) version with some translation and explanation and then supply some others. Saria is actually a woman, but the lyrics work better if the singer is imagined as male.

قــومي لنــدبــك ولده وندبك الغــوالــي

Get up and let's dance girl and make the others (al-ghawali) dance
Notes: to be more specific, she's using the verb "to debke (nidbich)" and "to make (someone) debke (ndebbich)"

واحط ايدي بيد الشوق وافرحك يا غـــالـــي

I'll put my hand in the hand of love/passion and make you happy, my precious
Notes: since the form of dancing debke involves dancing hand in hand side by side, putting one's hand in the "hand of love" actually refers to putting his hand in hers

شنو السبب زعــلانه سلمت ما رديتي

What's the reason you're upset, I said hi but you didn't respond

عــشرين عله وعــله جــوى القلب حطيتي

You've put twenty and one sicknesses/maladies in my heart

يـا بـنـيـه يـالــوراده راعـيـة الـقـلابيــه

Oh girl, oh flower-girl, oh pigeon-keeper
Notes: according to my web research, القلابية qalabiya is a highly coveted breed of pigeon

مشهوره بكثر عنــاده زينه يالعقيديــه

You're famous for being so stubborn, beauty of the Aqidis (Aqidi refers to a Bedouin group living in Easter Syria)

Adel Mohsen

لاحظت في الموقع ترجمة الأغنيه .. ( وهي بالمناسبه ترجمه رائعه )

لكن في نهاية الأغنية توجد كلمة " يالعقيدية " حيث لم تجدوا معناها ..

وهي نداء لأصل الفتاة التي يراقصها صاحب كلمات الأغنية

والعقيدية أو العقيدي هو أحد الأصول الشهيره التي تنتشر في... بادية سوريا .. حيث بدأت هذه الأغنيه الفلوكلوريه ..

وهي ترمز لقبائل بدو سوريا التي " تعاقدت " على الحرب ضد قبيلة " شمر " من الجزيرة العربية ..

فقط أردت الإضافه إلى ترجمتكم الرائعه .. مع كل الشكر لجهودكم

-------------------------------------

Ali Dyoub (علي ديوب)

This version is a little bit more "raw" for lack of a better term. It's from a live performance and while the main verse is the same, the rest differ entirely from the version above. It gives a sense of a live debke performance, with the singer improvising variations on the lines, making appeals to the crowd to dance and sometimes calling to people by name such as the hosts or musicians, and referencing himself. I also say this version is a little bit more raw because some of the lines are a bit racier and even combative. As two examples, in one line he refers to being chest to chest with a girl and kissing her on the lips "صدري ع صدره وبيمصمصني بشفاته" and in another he curses his mother for "getting pregnant and bringing (him) into the world" يلعن بيك يا امي ليش حبلتي وجبتيني . I'm not sure of the context in this performance but typically singers are hired to perform at social events.

-----------------------------------

Fariha al-Abdullah (فريحة العبدلله)



In this version the song and repetition of verses takes a different form.

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Sami Clark (سامي كلارك)



This is a completely different song that is a mountain debke from Lebanon, but the words are so similar that I think the two songs must be related somehow. Even if it's not it's a great video worth watching. The main verse says "get up so we can dance girl (different words but same meaning), and put your hand in mine"(Goomi taner'os ya sabiyi, w-eshbiki ideyki bi-iydeyi قومي تنرقص يا صبية واشبكي ايديكي بايديي )

I didn't find a whole lot on these songs, so if anyone has any information on the origins or other versions please share!

Om Kalthoum - Oh Night of Eidام كلثوم - يا ليلة العيدYa Leilat el Eid

The song "Ya Laylat al-`Eid" celebrates the end of the month of Ramadan and the beginning of the celebration (Eid means holiday/celebration) that follows. Laylat al-`Eid is the celebration that takes place after sunset on the last day of Ramadan, meaning the last day of fast is finished.



The last verse can be seen as separate from the song since it is a nationalist expression and not related really to the feelings surrounding Eid. It is specific to Egypt in this case, and since this song has spread throughout the Arab world, there are an alternate versions referring for example to the Tigris الدجلة to make the song unique to Iraq. Other verses can also appear in other versions.



The song centers on the concept/feeling of انس (ons), which can translate as "delight" or "togetherness" or "a friendly atmosphere." It is exactly the feeling that one gets when all the family and friends gather to celebrate a holiday or maybe a wedding. We don't have an exact word for this in English though certainly the feeling exists. Thus, the general sentiment of the song is one of togetherness and joy.

Oum Kalsoum - Oh Night of Eid



Oh (Night of) Eid, you've delighted us and renewed our hope



Oh Eid, your (crescent) moon has appeared before our eyes

It filled us with happiness and we sang

And we said that happiness/fortune will come to us

Upon your arrival, oh Night of Eid



You've brought all the close friends back together

And the cup has passed among the companions (here nudaman should be a plural of nadim "drinking companion" or "close friend")

And the birds are singing in the trees to greet the dawn

Oh Night of Eid



As my beloved's ship sails, my soul travels on the wind

Tell him, my dear (literally, my pretty), it's early

Sleep is forbidden (haram) on the Night of Eid



Oh Nile, your waters are sweet

You spread light throughout the fields

May you live long and prosper, oh Nile

And enjoy many Nights of Eid

ام كلثوم - يا ليلة العيد



يا ليلة العيد أنستينا

و جددت الأمل فينا

يا ليلة العيد

هلالك هل لعينينا

فرحنا له وغنينا

و قلنا السعد حا يجينا

على قدومك يا ليلة العيد



جمعتي الأنس ع الخلان

ودار الكأس ع الندمان

وغنى الطير على الأغصان

يحيي الفجر ليلة العيد



حبيبي مركبه تجرى

وروحي بالنسيم تسرى

قولوا له يا جميل بدري

حرام النوم في ليلة العيد



يا نيلنا ميتك سكر

و زرعك في الغيطان نور

تعيش يا نيل و نتهنا

و نحيي لك ليالي العيد

Majida al-Roumi - Love and Faithfulnessماجدة الرومي - الحب و الوفاءAl-Hob wal-Wafa'

A 2006 release with lyrics by Saudi poet Al Nasser and composition by Dr. Abdel Rab Idriss.


Majida el-Roumi - Love and Faithfulness

Go as you like,
And leave as you wish.
Don’t make any more promises.
Don’t wear yourself out for nothing.

You kept me in a palace,
You dressed me in silk,
You drowned my little wings in perfume
Oh, how I lost myself in the seas
Of your exciting world!
And you circled ‘round me
In your great prison

Oh, how I imagined for myself
Brightness in our nights
A flood of bliss,
For our happy dream.
And you built for me
A castle of misery

The bracelets are useless,
And the rose and the mirrors
And the velvet of the curtains
Dancing with the corners

And your holy silence
Stealing away my youth
And your unspeaking heart
Dwelling there without me.

Take your beautiful palace,
And the glory and the splendor,
And the fine marble,
And the desolation of the evenings.
I’m satisfied with little
Just love and faithfulness.

ماجدة الرومي - الحب و الوفاء

إِذهبْ كما تُريد وامضِ كما تشاء
إِذهبْ كما تُريد وامضِ كما تشاء
لا تُكثِر الوعيدْ لا تُتعِب الجفاء
لا تُتعِب الجفاء
إِذهبْ إِذهبْ إِذهبْ كما تريد
وامضِ امض إِمضِ كما تشاء
إِمضِ كما تشاء
أَسْكَنْتَني القُصورْ أَلبَسْتَني الحَريرْ
أغْرَقْتَ بالعطورْ جَناحِيَ الصَّغيرْ
كَمْ تُهْتُ في بحورْ عالمِكَ المثيرْ
وكُنْتَ بي تَدورْ في سجنكَ الكَبيرْ
كَمْ تُهْتُ في بحورْ عالمِكَ المثيرْ
وكُنْتَ بي تَدورْ في سجنكَ الكَبيرْ
كَمْ خِلْتُني أَزيدْ لِلَيلِنا الضِّياءْ
لحُلمِنا السَّعيدْ فَيضاً من الهناءْ
وَكُنتَ لي تَشيدْ كُنتَ لي تَشيدْ
صَرحاً مِنَ الشَّقاءْ
إِذهبْ إذهب إِذهبْ كما تريد
وامضِ امض إِمضِ كما تشاء
إِمضِ كما تشاء
ما نَفْعُها الأساورْ والوردُ والمرَايا
ومَخملُ السَّتائرْ يُراقصُ الزَّوايا
ما نَفْعُها الأساورْ والوردُ والمرَايا
ومَخملُ السَّتائرْ يُراقصُ الزَّوايا
وصَمتُكَ المُناورْ يَسلُبُني صِبايَ
وصَمتُكَ المُناورْ يَسلُبُني صِبايَ
والقَلْبُ لا يُحاورْ يَسكُنُهُ سِوايَ
ما نَفْعُها الأساورْ والوردُ والمرَايا
ومَخملُ السَّتائرْ يُراقصُ الزَّوايا
وصَمتُكَ المُناورْ يَسلُبُني صِبايَ
والقَلْبُ لا يُحاورْ يَسكُنُهُ سِوايَ
خُذْ قَصْرَكَ الجَميلْ والجاهَ والبهاءْ
آه آه آه
والمرْمَرَ الأصيلْ ووَحْشَةَ المساءْ
خُذْ قَصْرَكَ الجَميلْ والجاهَ والبهاءْ
والمرْمَرَ الأصيلْ ووَحْشَةَ المساءْ
قَنِعْتُ بالقَليل آه قَنِعْتُ بالقَليل
بالحبّ والوفاءْ الوفاء الوفاء
الحبّ والوفاءْ آه آه
الحبّ والوفاءْ

Lyrics transcription from La7oon.com